Today, I am a self-taught metal sculptor whose work is deeply rooted in Pakistan, yet it speaks a global language of resilience, rebirth, and raw human emotion. Over the past six years, I have been building large-scale sculptures from industrial and vintage scrap. My art will find homes in real estate spaces, public parks, corporate lobbies, art institutions, and private collections of Pakistan. And now, they are beginning to travel further, crossing borders, entering new hearts.

What I do isn’t common in Pakistan. But maybe that’s the point. While artists in Europe and the US have long explored scrap metal as a medium, I bring a voice that’s unpolished yet powerful, emotional yet grounded, and rooted deeply in identity, craft, and culture.

My studio in Islamabad is more than a workshop. It’s a forge of forgotten things, where discarded steel is reborn, where memory is sculpted into movement, and where every weld carries a pulse. I don’t just work with metal. I live through it.